Find album reviews, stream songs, credits and award information for Mauricio Kagel: Acustica – Printemps des Arts de Monte Carlo on AllMusic – – Mauricio. Composed between and , Acustica, for experimental sound-producers and loudspeakers, is one of Mauricio Kagel’s radical and. Mauricio Kagel’s Acustica at the Cut and Splice Festival.
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Kagel: Acustica – TAM Theater, Krefeld
Amazon Music Stream millions of songs. The two electroacoustic sides are well worth listening to, but I particularly recommend the tremendously complex sounds on the first two sides. Mauricio Kagel’s Acustica, for experimental sound-producers and loudspeakers. AmazonGlobal Ship Orders Internationally.
MAURICIO KAGEL ACUSTICA ELECTROACOUSTIC 2-LP VINKO GLOBOKAR-EDWARD TARR MINT-NWW
The original instrumental part of the work was kgael on approximately filing-cards, in the top right-hand corner of which the relevant main-instrument is indicated by a symbol. Would you like to tell us about a lower price? Mauricio Kagel ‘s Acustica is a hugely ambitious and effective combination of electronic and acoustic sounds. A short biography of Kagel from the Universal Edition website:.
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One of the fundamental thoughts behind this composition is expressed in the actual invention of the sound-sources: Drinking Hanging Out In Love.
Thus the performers achieve more than a mere reproduction of their parts, as they incorporate influences from one another in their playing as if they were their own audience. Alexa Actionable Analytics for the Web.
Avant Garde Project 2 Mauricio Kagel, Acustica
The work consists of two, almost separate, plains; one constitutes the playback of a 4-track tape recorder with a fixed sequence, whereas the second derives from the playing of 2 to 5 musicians which can be varied from performance to performance in the construction of acoustic material and in the manner of interreaction. ComiXology Thousands of Digital Austica. Personally, I find these sides awe-inspiring. Some info on the release: All rights for materials presented on dream.
BBC – Cut and Splice – Mauricio Kagel’s Acustica
In Kagel traveled to Germany on a DAAD student grant, settled in Cologne, and became immediately and permanently involved in the contemporary music network as a member of the so-called “second generation” of Darmstadt composers. This piece features some of the most astonishing timbres I have ever heard. Send it to a friend! Even the tape part, which remains the same, sounds different when heard in contrasting acoustical contexts. If the result owes obvious debts both to John Cage and to the theatre of the absurd, its subversive critique of received ideas on what constitutes music and musical instruments is above all typical of Kagel, contemporary master of irony.
They have a texture somewhat like electronic music, but with more timbral detail owing to the acoustic sound sources.