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Historia social de la literatura y el arte. Institute Royale du Patrimoine Artistique. ALTHOUGH Eisenstein towers above every other figure in the history of world cinema, there is precious little good secondary literature in English on his life, work, and thought.

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Aglutinantes, disolventes, diluyentes, mediums y secativos. Storia, tecnica e restauro.

Restauration des dessins et estampes. Manual para dibujantes e ilustradores.

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Con note sulla tecnica di alcuni grandi pittori del passato e sulla pittura in genere nel corso della storia. Ernst Hans Josef Gombrich. The English estetiva is particularly welcome, as Aumont, unlike so many theorists of cinema, writes and argues with great lucidity. In an avowedly limited study of Eisenstein’s theory and films, the main thrust of Aumont’s argument is quite clear: Dictionnaire technique et critique du dessin. El pensamiento de Avicenatrad.

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